emptyspaces

Coming Soon: Indiegogo Launch September 2016!

promo poster by Adam Selbst

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Empty Spaces Film To Launch Indiegogo Sept 5, 2016

Hey everyone, sorry it’s been awhile since I’ve updated this makeshift website. However, I’ve been busy with multiple projects, including shooting two more scenes from my screenplay, Empty Spaces.

We are currently planning to launch an Indiegogo crowdfunding campaign for the film on September 5. There will also be a “real life” launch party with comedy, music, and art at Big Irvs in Brooklyn, New York.

Details coming soon. In the meantime, mark your calendars!

Here are a few stills from the test scenes we’ve shot. Thanks so much to the cast and crew for giving their time and talents to these scenes.

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Empty Room: An Art Exhibition

“The first ten minutes at this show were better than most openings I’ve been to”
-M. Fisher, Writer at Japanco NY

 

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For Immediate Release!

empty room: an art exhibition

Saturday, January 30, 2016 | 7 – 11pm
Rabbithole: 33 Washington Street, Brooklyn, NY 11201 (718) 852-1500
emptyroomexhibition@gmail.com

empty room: an art exhibition is a minimalistic show featuring new work by Kelley Brannon. On exhibit will be her new time-lapse jazz song video, Empty Chair (2016) and the first four smoke drawings from her third series, The Digital Age (2015). empty room: an art exhibition celebrating the less, directly reflects Brannon’s themes of isolation, technology, and economic class.

In Empty Chair, Brannon uses time-lapse, contrast, and empty space to support the emotive qualities of a jazz song sung and recorded in a capella, serving as the video’s sound track. Empty Chair draws from Brannon’s previous work in abstract documentary, video art, and improvised jazz singing, in addition to her tendency to use moving images to create moments of stillness. In her third smoke drawings series, Brannon expands her artistic process by using oil paint over the smoke to intensify her minimalistic forms and create content that both mirrors and questions our relationship to technology and the urban environments that perpetuate the speed and intensity of its progress. Brannon created this series while being the first artist-in-residence at The Rectory in her hometown last October and November; inspired by her involvement with the squatter community in Detroit, she wanted to create an opportunity for artists in an underserved area by turning an unused colonial building in her hometown of Charlestown, New Hampshire into artist studios. This project is still in development and Brannon hopes to partner with a gallery/residency in NYC to create a bridge between rural and urban environments for working artists. Duality is also a theme implemented in much of Brannon’s work.

Kelley Brannon is an artist, writer and filmmaker originally from rural New Hampshire. She moved to Brooklyn in 2010 after graduating with a BFA from the Massachusetts College of Art in Boston, where she studied in the Studio for Interrelated Media program. In 2015, she earned a MFA in Creative Writing from Goddard College with a concentration in Screenwriting. Her first feature narrative screenplay, Empty Spaces, has been in production for the last year. She has worked in theater, photography, video, writing, and mixed media since 2001. In early 2011, she began creating her one-of-a-kind smoke drawings, a form of visual art, using left over drawing paper from art school and regular stick candles. In 2012, she partnered with Indiewalls NYC and today, her smoke drawings are in public and private collections in cities around the world.

https://kelleybrannonprojects.wordpress.com/ kelleybrannonprojects@gmail.com /

Curated by Kala Jerzy

Kala Jerzy graduated from University College London (UCL) in 2009 with a first class honors, after which she pursued a legal career, also in London. She completed law school in 2011 and moved to New York in 2012, where she has been living and working ever since. Kala is a contributor writer to a variety of local publications, ranging from news to art. An avid fiction writer, she is also enthusiastic about post-modern and contemporary art, particularly minimalism, which she likes to explore in paintings, literature, and film. Kala’s penchant for minimalist expression has been reflected in her Brooklyn apartment, which inspired the show, following Hans Ulrich Obrist, whose first exhibit was curated in his kitchen. Kala speaks English, Hebrew, Polish, German and Russian.

http://kalajerzy.com/ Instagram: @kalishlifestyle Twitter / Facebook: @KalaJerzy

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Just landed a great gig at the Socially Relevant Film Festival in NYC!

I am really excited to be a part of SR Film Festival and work alongside/assisting the Founding Artistic Director, and Festival Curator, Nora Armani! I will be working in Production and Administration. The Socially Relevant Film Festival takes place at Chelsea Bowtie Cinemas, with Industry panels at SVA, from March 14 – 20. Come check out the films and workshops: http://www.ratedsrfilms.org/

groundhog's-day-invite

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New Video!

Another strange jazz song video about an estranged lover. Watch it here: https://vimeo.com/150904988

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R.I.P. Victoria

Victoria Nicodemus was hit and killed last night when a driver of a SUV jumped a curb to avoid hitting a bus. She was 30 years old and was out walking with her boyfriend. She was a curator at indiewalls, an online gallery that has been selling my smoke drawings for the last few years. I had just been in contact with Victoria about a pending art sale. She had been a little relentless but we talked pleasantly on the phone a week or so ago. Then I sent her a jerky email on Saturday, the day before she died.

It was a frustrating situation regarding a needed high res photo of a smoke drawing I had sold to my friend in Austin, Texas and another one I was having mailed to me from nh. We had some miscommunication and were working together to figure it out, but I regret sending that last email, where I basically said she wasn’t doing her job well. I’m sorry Victoria.

I’m writing this not only to confess but also to suggest we treat everyone we encounter with respect, at least as much as we’re capable of, and think before critizing someone. Most of us are doing the best we can and those of us in nyc are usually juggling multiple projects, jobs, lovers, or ambitions. Victoria was like a collaborator to me and I know she will be missed at indiewalls and all the artists and clients she was working with.

My condolences and deepest sympathises to her family and friends. And her boyfriend that she was walking with, who was released with minor injuries from Brooklyn hospital, where Victoria passed away. It’s clear everyone involved; other pedestrians, doctors, etc., did everything they could. This is just very sad. And there have been too many pedestrian’s killed in a pedestrarian city.

Coincidentally, I performed a spoken word poem I called, “last rites,” last night. However, mine was written for a lover and was a metaphorical death, one I don’t even want to have happen. I emailed it to the guy it was addressed to at 2am when I got back to my friend’s house, where I’m currently staying. I’d be lying if I said I’m not thinking about telling him I’m sorry too. Because it wasn’t all his fault. Actually, in hindsight, it was mostly mine.

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The 24 Hour Black Friday Art Show at The Old Town Hall

kelley final flyer 5 color_postcard size

Yup, this exhibition completes my six-week residency in Charlestown, New Hampshire. I’m commemorating the occasion and voicing my opinions on capitalism and consumerism by having my solo show: Recreating Fabricated Memories and open studio on Black Friday. I don’t know if Black Friday is racist or not, maybe after we stop calling that football team the red skins we can move on to this one…I digress.

The show will open Thursday/Thanksgiving night at 12AM (pending final approval from a conservative select board) and last for 24 hours, concluding Friday night/Monday morning at 12am. The space is mine; my reservation is in place and I’ve just ordered same-day postcards. It’s not that I’m a bad planner, it’s more like I’m always broke because I mismanage money too often for a 31 year-old adult. I’m working on this, maturity thing…? However, with a little luck, all my new smoke drawings will be framed. The new and third series is aptly called The Digital Age and uses oil over the smoke. I have the entire bottom floor of this quaint but large late 19th century building and my show will also include new paintings, mixed media works, an installation of sorts, sound and video art. From someone who actually takes the medium of film and video very seriously, I am not trivializing it as a mode which only captures the immediate rather than embarking on the laborious, often thought provoking storytelling medium that it is.

I drank a lot of coffee because I’ve stopped smoking and I didn’t sleep tonight.

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My Current Project:

for news about the film: https://thebushwickrefugees.wordpress.com/ Join our mailing list: bushwickrefugees@gmail.com

for news about the film: https://thebushwickrefugees.wordpress.com/
Join our mailing list: bushwickrefugees@gmail.com

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3 out of my 5 smoke drawings installed at Qingdao Tai Shan Condo in Qingdao, China

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formally winged

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Meiosis and Elevation

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Vagina (back left) and Separation from Instinct (front right)

 

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The Qingdao Tai Shan Condo building

 

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What? Now I’m singing…?

Check out my newest video Shadows now on Vimeo: https://vimeo.com/kelleybrannon

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